I also have complete outlines for a 7-episode mini-series and a 10-episode mini-series being developed into full, studio-ready screenplays.

My screenplays have room for the writer's and director's vision for dramatization, with fantastized accounts of historical events of the awray of Christian Sects competing for supremacy and the political intrigue around Gnosticism.

 

These are Situations that allow for a myriad of side stories that can be developed. When I first started using AI, I wrote over 200 by letting the AI do it, and I read them; they were all the same with no direction or emotion. I deleted them all and started over, refining the process of using the AI only as a scribe and fact checker, but every idea and choice is mine alone.

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I Present To You my first studio-ready screenplay

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PRESENTING

!!!-URBAN STREET FICTION-!!!

PULSEWALKER: THE LEGEND OF BLACKASS TYRONE

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PULSEWAKER: The Legend of Blackass Tyrone

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The Nobility of the Characters

At its heart, Pulsewalker is not about power seized but about power borrowed and returned with humility. Celia/Esperanza, Lucky Weedman, Darnell, and Tyrone are all marked by hardship, but they are never reduced to victims. Each character, even in brokenness, carries an inner dignity:

• Esperanza resists corruption, nurturing her son Tyrone with a creed of humility and service rather than domination.

• Darnell protects Tyrone not through violence, but by helping him listen to the deeper rhythm of the world.

• Lucky Weedman, flawed and absent, finds redemption in returning as a father who chooses love over escape.

• Tyrone embodies the highest nobility: a boy who refuses crowns and acclaim, choosing instead to be a servant of rhythm, healing, and community.

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Breaking Stereotypes

The story systematically overturns stereotypes:

• The street preacher is not a showman. Tyrone explicitly rejects performance: “We serve, we don’t perform.” His spirituality is grounded in humility, not ego.

• The “Blackass” insult becomes a legend. What begins as mockery on a basketball court is transfigured into a name spoken with reverence.

• The street toughs, drunks, and forgotten people are not depicted as background or threats — they are transformed into witnesses, allies, even saints in their own right.

• Family is redefined. It is not about conventional respectability but about chosen bonds forged in fire and forgiveness.

This rejection of cliché humanizes every character, from gang members to mothers on Skid Row, revealing nobility where the world expects degradation.

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The Legendary Life of Tyrone

Tyrone’s journey is framed as nothing less than miraculous:

• As a child, he laid hands on the sick and they breathed again.

• He carries his mother’s teaching: rhythm as covenant, humility as law.

• On the road, he calms fights, heals strangers, and earns the respect of entire crowds simply by keeping time.

• At Union Station, his words and rhythm awaken an entire plaza — not with dogma, but with remembrance: “Power is borrowed. Return it with humility.”

• His miracles are always communal — the lifting of a concrete slab, the calming of a crowd, the saving of a life, never for spectacle, always for service.

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By the end, Tyrone stands not as a preacher or a king, but as a living legend: a servant whose humility makes him more miraculous than any saint the city has known. His life proves that the miraculous is not about spectacle, but about rhythm, humility, and love that returns power to the people.

✨ In essence: Pulswalker elevates the ordinary to the legendary. Its characters are noble not because they dominate, but because they serve. It demolishes stereotypes by showing that holiness, wisdom, and greatness live in the very people the world ignores. And Tyrone’s life is not just a story — it is a living myth of rhythm, humility, and miraculous grace.

 

Written by

Michael Wallick

(also known as Lucian Seraphis)

 

© 2016 Michael Wallick (Lucian Seraphis). All rights reserved.

This screenplay, including all characters, dialogue, settings, and story elements contained herein, is the original creative work of the author. It is protected under United States copyright law (Title 17, U.S. Code) and international copyright treaties.

No part of this screenplay may be copied, reproduced, stored in a retrieval system, transmitted in any form or by any means, adapted, performed, or distributed without the prior written permission of the author, except for brief quotations in critical reviews or academic study, as permitted under fair use.

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